This is Palestinian artist Larissa Sansour’s photo project called Nation Estate, first introduced as another version of Fritz Kraus’s postcard, which also becomes the key to future hope. Space Exodus, Larissa Sansour. He can do so by the direct method of exposition and exhortation, as Ruskin did, or the indirect method of fiction like Dickens’. The painting represents the contest between the power of Western ocularcentrism and the inscription of Aboriginal art upon the surface of the text of place, including the inscription on the body. Bill Ashcroft gave this Keynote Address on April 4, 2014 at The Fourth Asian Conference on Literature & Librarianship (LibrAsia2014) in Osaka, Japan. Since literature develops from the society, it automatically expresses the culture of its people. Kummel proposes that the apparent conflict between time as succession and time as duration in philosophy comes about because we forget that time has no reality apart from the medium of human experience and thought (1968, 31). The painting is crucially framed by the title: the road to Redfern is the road towards a Sydney suburb that has been the centre of urban Aboriginal resistance, a modern urban sacred site. © Larissa Sansour, with permission. And the spectator of a tragedy or the reader of a novel is also said to experience release and relief. ( Log Out /  But this is surely not only the case for literary works alone. As the home we have sensed but never experienced, it remains a constant beacon for the spirit of liberation even after the goals of revolution appear to have been achieved. Politics lies within every act of creation, but overt politicizing can lead to the entrenchment of the images of victimhood. Man .. This paper will explore these ideas in two very different examples of Indigenous art: the Aboriginal painter, Lin Onus, and the Palestinian artist, photographer and filmmaker, Larissa Sansour. Literature definition is the desire of people to convey their own knowledge, experience, vision through written texts. Or as Mahmoud Darwish puts it, “Time is a river / blurred by the tears we gaze through.”. ” The function of literature, some say, is to relieve us – either writers of readers – from the pressure of emotions. This is why the connection between the rainbow serpent in the rear-vision mirror and the future of Aboriginal sovereignty symbolized by Redfern are so significant. This material is available only on Freebooksummary, We use cookies to give you the best experience possible. Instruction may result from the reading of poetry, but it is not the end: for ‘poesy only instructs as it delights”. Unlike Johnstone’s painting, Twice Upon a Time is uninhabited, dismantling the apparently bucolic appearance of the image with a suggestion of a sinister history. But even further than this, freedom can only exist in the act of struggle against coercion: ‘freedom to’ may only be realised in the struggle of ‘freedom from’ domination and the transformation of power. Its appeal is not through the reason, but what we should call imagination. Optimism means these are precisely the times when change is possible.” – Slavov Zizek, The Guardian 15 June 2012. They tell us about the role of a text in social context, its relations to its surroundings and the way it behaves. In many societies literature has served highly practical functions where, in our society, literature has ceased to have much practical function at all. Of course not all creative works are utopian, or even necessarily optimistic, but the anticipatory illumination is the revelation of the “possibilities for rearranging social and political relations to produce Heimat,” Bloch’s word for the home that we have all sensed but have never experienced or known. Nevertheless, the utopianism of the creative spirit continues unabated. Literature helps the reader “see” the social and political constructs around him/her and shows the state of the people and the world around him/her. In the same vein, Laurence Davis contends that critics and defenders of utopia alike “have tended to conceive of utopia primarily as a transcendent and fixed ‘ought’ opposed to the ‘is’ of political reality and the ‘was’ of social history,” but “it may also be understood as an empirically grounded and open-ended feature of the ‘real world’ of history and politics representing the hopes and dreams of those consigned to its margins” (2012, 127).

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