Although he won a medal for these paintings, critics reviewed the work harshly, and in response, Moreau retreated to his studio for several years: a period of seclusion which perhaps contributed to a later image of him as a mysterious hermit. 1886Moreau completes the polyptych La Vie de l'Humanité*[The Life of Humanity].Exhibits at the Galerie Goupil. Gustave Moreau facts: French artist Gustave Moreau (1826-1898) is known for his strange and mystical works, often portraying scenes from mythology or religion. 1898Dies on 18 April. Let us know if you have suggestions to improve this article (requires login). Biography of Gustave Moreau Childhood. Here, he prepares for the competitive entrance exam for the École Royale des Beaux-Arts. 6 April 1826Birth of Gustave Moreau in Paris.His father Louis Moreau, an architect, inculcates a sound knowledge of classical culture in him. He frequently goes to the theatre and the opera. His father, an architect, ensured that Moreau received an education in the classics, while his mother, a talented musician, doted on him due to his poor health as a child. This is the only solo exhibition of his life. "Gustave Moreau Artist Overview and Analysis". 1857-58Second visit to Italy, from October 1857 to 1859. When he was 13, his sister Camille died, and Moreau was taken out of school because of illness. Later, at around the age of 18, he studied with François-Édouard Pico, the Neoclassical painter, and prepared for the entrance exam to the Ecole des Beaux-Arts in Paris. 1882Puts himself forward for the Académie des Beaux-Arts but is not elected. Both had a significant influence on the other's work, and each created at least one portrait of the other. It is shortly after this that he meets Alexandrine Dureux whom he introduces to drawing. 1846Gustave Moreau is admitted to the Ecole Royale des Beaux-Arts. This article was most recently revised and updated by, https://www.britannica.com/biography/Gustave-Moreau, Art Encyclopedia - Biography of Gustave Moreau. Moreau's influence can be found in the work of an unusually diverse range of artists and writers. [Internet]. The following year, Moreau's mother, to whom he was very close, died, plunging the artist into despair. The work brought Moreau to popular and critical attention, and confirmed his position as a serious member of the art establishment, marking the beginning of his mature career. View Gustave Moreau’s artworks on artnet. Content compiled and written by Anna Souter, Edited and revised, with Summary and Accomplishments added by Greg Thomas. Moreau lived a sheltered life growing up. Later, their aesthetics developed in very different ways, as evident from a comment of Degas's, reported by the French poet Paul Valéry: "He would have us believe that the Gods wore watch chains." Twice, in 1848 and 1849, he entered the prestigious Prix de Rome, but failed to win both times. 1880Takes part for the last time at the Salon with Hélène et Galatée [Helen and Galatea]. Premium Membership is now 50% off! Gustave Moreau was born in Paris to a wealthy middle-class family in 1826. He is buried at the cemetery in Montmartre. Funeral at the Église de la Trinité in Paris. The only influence that really affected Moreau’s development was that of his master, Théodore Chassériau (1819–56), an eclectic painter whose depictions of enigmatic sea goddesses deeply impressed his student. In the same year, his parents bought him a house in Paris, at 14 Rue de La Rochefoucauld (now the Musée National Gustave Moreau). Although the movement was primarily concerned with poetry (naming Charles Baudelaire, Stéphane Mallarmé, and Paul Verlaine as the key literary leaders of the movement), the Symbolists adopted Moreau as an artistic figurehead, and Moreau has been associated with literary as well as artistic Symbolism ever since. 1852Moreau’s work is accepted at the official Salon for the first time. Gustave Moreau, French Symbolist painter known for his erotic paintings of mythological and religious subjects. He also dedicated the final years of his life to planning for his Parisian home to be transformed into a museum, containing both finished and unfinished work as well as the objects and furniture of his everyday life. 1864A return to the Salon with Oedipe et le Sphinx [Oedipus and the Sphinx], bought by Prince Napoleon. His last work, Jupiter and Sémélé (1896), is the culmination of such tendencies. In 1864, Moreau showed Oedipus and the Sphinx at the Salon. She would remain, right up until her death in 1890, his “best and only friend”. He presents six paintings. In 1851, Moreau befriended the painter Théodore Chassériau, who had studied under Jean-Auguste-Dominique Ingres. Corrections? He established a studio on the third floor, which remained his base for most of the rest of his life. His father, an architect, ensured that Moreau received an education in the classics, while his mother, a talented musician, doted on him due to his poor health as a child. 1844-1846Gustave Moreau makes frequent visits to the private studio of the Neo-Classicist painter François-Edouard Picot, decorator of public monuments and churches in Paris. Indeed, is worth noting that Moreau had nothing to do with the symbolic rejection of state-sanctioned taste by the artists who had established the so-called Salon des Refusés the previous year. He made them uneasy...He didn't show us how to paint; he roused our imagination." At age 18 he entered École des Beaux-Arts to study under the guidance of François-Édouard Picot and left in 1850.

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