It might be that one thing is on demand and another style or age group is over saturated, also each network has a different style. Implementation and production cost is what matters. I could be wrong. WHO FRAMED ROGER RABBIT is the best tribute to toons ever. I’ll address Hulu in another article, but for now, let’s focus on Netflix. Now they have layers of barriers: security guards, secretaries, assistants, bodyguards and an occasional moat (with and without alligators). The unusual and unheard of gets noticed. It doesn’t matter. These two threads on CG Society forum are good discussions: How to turn your IP into a living and Your Own IP? Continue submitting your cartoon to different markets until someone agrees to purchase the idea. His experience includes comics, role playing games and a variety of other projects as well. It is a hard sell. I could go on and on, but it’s more important that you figure the rest out yourself. During my years of attending and pitching at European markets like Cartoon Springboard and Annecy, I’ve scribbled down many do’s and don’ts about how to pitch at these events. Human interaction is always the best way to learn. Yeah, it helps if your script is good. Breaking into the film and television industry without the right connections can be nearly impossible. Even writers. 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Weren't Doogal, Sprung, Gnomeo, etc. This video on how to create a pitch bible by Heather Kenyon and How to Pitch a Cartoon by Erica Hughes are both quite useful, and you might find this one on winning animation pitches and this Quora answer good reads. Jeffrey Scott has written over 700 animated and live-action TV and film scripts for Sony, Warner Bros., Disney, Universal, Paramount, Columbia, PBS, Sesame Workshop, Marvel, Hanna-Barbera and others. 3- You can meet and find executives more readily in film markets like MIPCOM, MIPTV and MIPJunior and you can also look them up in linkedin, blogs, forums  and specialized directories (Hollywood executives directory, AWN, IMDB). Don’t use them to cram a story into something static. That includes vanguard, patchwork, wonderworld, etc. A blog not just for writers but for producers, directors, animators, storyboard artists, VFX specialists and even studio execs (but not agents), because the single most important creative element of any production is its story, and for a production to be successful everyone must make sure its story is as good as it can be. Though it may not sell, if the writing is good enough, they may remember you for future script assignments. Use lists/bullet points only to sum up things where appropriate, such as a few episode loglines, a budget, or a character’s personality traits – in other words, things that naturally lend themselves to being lists. If you do decide to go the route of pitching you can check this article: How to Create an Animation Pitch, Animation Pitch Pitfalls, From Pitch to Production and How to Pitch an Animated TV Series. Networks are usually trying to fill in a "slot". To the people who buy scripts. 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Budgets range from 500K to 30M. TOONS! Many of you will disagree with me, but money will always be a major factor. It's very, very rare. However, if instead you had an animated television series idea, then it's a bit more open. And where? Check the guidelines. All you need is a computer with a 3D animation software and the skills and experience to … Thanks Devon, that's the impression I'd gotten! It's a shame what happened to the creatives behind 'OZ" they are fantastic people. Getting your great idea on paper and getting it on screen are two totally different beasts. The character of the person they are going to be working with actually matters. Do something different. Put together some samples of your cartoon in a portfolio. Unfortunately, we have no idea of how much it will cost to produce it. A general idea is good. She is currently the head of programming at KLIK! make sure all the details are settled and maybe get a lawyer on every stage. I just signed three screenplay options. The good news reality is that if animation is your passion, there are many avenues into the industry where you 'could' one day do your own film idea. I'm nearing the end of shooting a live-action microbudget short that has a 30-sec animated first scene. But it’s simple. Dont know how much, but you can contact the Companies and ask them? Stand outside the nightly news and hold up a sign with your movie website address so that when they cut to the closing shot of people outside the studio window you were just seen by thousands upon thousands of television viewers. Good sources of information on what is selling are: Animation World Network, ASIFA Hollywood, and Kid Screen Magazine. Just have a plan in sight. While these tips are based on experiences at European markets specifically, you will find that many of the tips will be applicable to other pitching situations as well. You cannot give up.

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