To be clear, it boasts of two types of compression, namely Regular (time-domain) and Spectral. Like the vintage hardware it is based on, the purpose is to enable glueing of a mix together. Each is extremely versatile, easy to use and affordable to almost all budgets. Now, with Sonox Oxford Dynamics, you’ll be in for a whole new experience. Wave have long been creating for the digital compressor plugin market and their CLA Classic Compressors bundle claims to offer the latest and most complete package. That said, many studios will usually have one or two favourites in their compression arsenal that are Analogue in nature. Products like the Fatso compressor plugin aim to replicate the analogue tape compressors of yesteryear. The UBK-1 works well and will suit most home recording enthusiasts looking to add a simple but effective compressor to their setup. Compressors are one of the most important tools in every modern recording studio setup. With it, you can radically shape instruments and vocals in a track or mixes with nearly limitless gain reduction variations. Ideally, it shines when it comes to transparent operation with considerably less harmonic distortion. Specifically, it offers six processing bands that can be placed anywhere in the spectrum. But, probably the real kick lies in smooth lookahead, up to 4x oversampling, intelligent auto-gain, and auto release controls. Then again, it has a straightforward UI so you can easily take charge of the controls while monitoring the audio signals in real-time. The quality is remarkable with all the well-known features of the original. The Distressor is very useful when you need to add more edge to a track. The MK1 is based on more of the slow compression of the 1950s. Of course, that remains a pipe dream with conventional multi-band compressors. Available independently or as part of the Weiss DS1-MK3 collection, this plugin is tailored to focus squarely on the crust of sound. Above all, it makes available presets from accomplished artists to add to your creative potential. Everything about the Pro-C is a joy to behold. For the most part the compressors we will be discussing in this article will be of the type used for mixing overall song mixes and individual instruments, from vocals to drum kits. Quite often the compressor will work as a limiter to prevent unwanted damage to the speakers when playing at high levels. If that isn’t enough, you’ll appreciate Empirical Labs iconic White Knobs featuring parameter readout and direct entry. The included compressor is based on the characteristics of the Fatso Jr. which is a fan favourite for its high quality emulation of classic analogue tape compressors. Each delivers a distinct compression style all with beautiful sound and character. Squish is, as the name suggests, a harsh compressor designed to flatten out spiky and dynamic waves. Its power boils down to dual directional compression tailored to be either brutal or subtle as the situation demands. Let’s not forget, it also avails a variable knee, range, hold, external side-chain triggering as well as variable stereo linking and mid/side processing controls. It comes with three different versions of the plugin with variations in release and attack speed. That’s not all. Of course, it includes new enhancements for advanced processing possibilities. The MK2 is based on later models of compression that were popular in the 1960s and 70s mainly. The added saturation options are ideal for recreating that classic John Bonham drum sound. You could easily use this plugin as a one stop shop for anything from music to radio production. And with that, one can rhythmically change the volume of the audio to create space for instruments to stand out accordingly. It has been compiled with the help of the famous rock producer Chris Lord-Alge. Like the legend it emulates, UAD SSL G Bus Compressor is built for delivering powerful and punchy mixes with better cohesion and clarity. Interestingly, it harnesses impressive features such as Side Chain Filtering, Mix, and Headroom controls for altering the overall operating level. The UAD API 2500 finds a spot in our list for several reasons. With every aspect considered and mulled over it is the Klanghelm MJUC that runs out the winner. With Cableguys Kickstart you forget about all that trouble. Of interest, is the attention-to-detail present on its overload elements. On the other hand, the Waves CLA-76 takes after the original 1176 compressor. What if someone could show you the top 20 compressors and explain them, so that you could easily pick one? Secondly, it emulates the original classic compressor accurately capturing everything, including the all-discrete signal path with signature Thrust circuitry technology. Shattered Glass Audio’s SGA 1566 gives you a single channel vintage tube preamp. This means that you can be up and running right away on your studio setup with the minimum of waiting around. Smooth is a far more subtle mode designed to gently enhance the likes of a soft vocal take or string section. Commercial audio compressors have been around a long, long time and usually were used in the final stages of a mix to ease levels and bring a pristine sheen to a song. Moving on, the PSP VintageWarmer 2 can best be described as digital emulation of a single/multi-band analog-style compressor. Firstly, it is famed for its ability to add energy, movement, and tone to mixes and sub-groups alike. As ever, each option will produce varying results depending on different factors during application. Thanks to fine-tuned algorithms, it can level out the spectrum, forestall collisions between tracks, and eliminate noise besides offering other creative opportunities. And to ensure a pain-free user experience, it houses everything in an uncluttered and responsive interface. Look! With all these features, you may imagine the controls to be overwhelming. At face value, it reveals an aura of simplicity thanks to clean and straightforward controls. It’s easily one of the best compressor plugins for drums too. A pacesetter in its own right, the Pro-C 2 by FabFilter is a good bet for your money particularly if you want to upgrade your DAW’s compressor. While it handles an avalanche of standard tasks, it features a simple interface with easy to use controls. And when inspiration is all you need, the collection of Lock 'n' Load presets readily accessible can keep you flowing with creativity. In the process, it dynamically balances tonal imperfections. There is often a distinct characteristic with analogue equipment that is hard to replicate fully with a digital plugin. Speaking of which, it comes side-chain ready. So, while it retains the same frequency response as a conventional multi-band processor, it rids off latency or pre-ringing. The Softube Weiss Compressor or limiter could be the solution. But a clear and informative graphical interface streamlines everything to guarantee a smooth workflow. Essentially, Kickstart employs a variety of volume ducking curves to create effects usually associated with side-chain compression. By using this combination of a compressor and Distressor we can create extremely full and powerful sounding basslines and drum tracks in particular. You can’t have enough of the Distressor without experiencing the side-chain controls that allow hassle-free focus on dynamics. Ultimately, whatever is optimized to suit your area of the application say vocals, drums, mixing, or mastering- go for it. The benefit of course is that many of these digital plugins are available right away with convenient download options. Glue works well at blending the mix together. Whether you want to engage it for single, multi-band compression or brickwall limiting- VintageWarmer 2 packs has all it takes. UAD SSL 400GBUS Compressor offers everything from dynamic and transparent control to aggressive textures with peak limiting. Unnatural sounding recordings and lost time- are all you will reap. In today’s market, you can find compressors of all kinds: some are very easy to use and targeted to beginners, others are very versatile but feature dozens of digital buttons and knobs, and there is always the battle between those that are modeled after an analog compressor and those that come with a unique design. Now, Cytomic The Glue is a model of a classic analog G Buss Compressor that dates back to the '80s. This is definitely one of the best vocal compressor plugins on the market today. The MJUC is easily the best VST compressor in its price range and one of the top compressor plugins when it comes to versatility. Long established as a fan favourite, FabFilter has a track record of producing high quality and great sounding plugins. These compressors are often used in conjunction with the studio desktop setup, whether that be Pro Tools or any other DAW. This website uses cookies so that we can provide you with the best user experience possible. It also has more options such as an ‘iStage’ control and a ‘Density’ control. And with its Auto make-up gain, peak hold indicators for instant visual feedback, and clip-guard output limiter that prevents clipping; there is little else to ask. So when functioning in side-chain mode, it checks for potential spectral collisions and works to avert them by bending affected frequency ranges within the input signal. 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