It is perfect for playing in small bands accompanied by singers and lute. If you continue to use this site we will assume that you are happy with it. It has a delicate structure, it is made of one piece of wood. The most common problem in bass flutes from the renaissance period is the extreme distance between the holes in the fingers, in this model the problem is minimal. The baroque bass flute is based on a rare original in the collection of the Music and Theatre museum in St. Petersburg. This flute is perfect for bands playing dance music with many musicians. Bassano flute. Alto, tenor and bass flutes have been maintained till our times. How temperature affects on height of … It works perfectly in the solo repertoire – Van Eyck. It is made entirely of African blackwood. It is pitched a whole octave below a regular flute in D and has four open standing keys for holes 1,3,4 and 6. This instrument, often called the Baroque flute, was made of wood and/or ivory. It is also often used for playing medieval music. One of the most beautiful flutes preserved to our times. Renaissance flutes alto in g tenor in d bass in G. Renaissance bass flutes in G 440,384 and 392 Hz. Modern musicians count on the fact that pitch is standard wherever they go. Early Baroque tenor flute in d from Berlin Musical Instruments Museum. We use cookies to ensure that we give you the best experience on our website. It could have 3 or 4 separate joints, or pieces, depending on the flute maker. https://caslabs.case.edu/medren/baroque-instruments/flute-baroque It combines well with cornetto, shawms and percussion instruments. The flute is approximately 2 … It combines the character of Bassano and Verona flutes. The GT flutes is made of sycamore, cherry maple or pear wood. The bass flute in this series is extremely comfortable and easy to play. Using baroque fingering. It has a good, rich tone and is capable of a strong low D for traditional music. © 1990-2020 Grzegorz Tomaszewicz – All rights reserved. This simple flute has a powerful sound, sometimes comparable to contemporary folk flutes or to the so-called Swiss Renaissance flutes. This is the most common Renaissance flute on old iconography. It’s a flute with a wider channel and thicker walls than Bassano. Between 16th and 18th century, the flute was crucially changed. The second kind with a bigger mensura and reed had a loud, piercing sound, which was used by the army (so called Swiss flutes). Two kinds of traverso flutes were used. Early Baroque flute in d, copy - Lissieu. A loud, sweet sound, perfect intonation, easy to play even for modern flutists. This flute is dedicated to musicians for playing songs and dances. This change is to be clearly seen in the fingerings shown in flute … The Development of Flutes in the Baroque Era. In the 16th century in Europe a traverso flute was produced from one piece of wood, sometimes from two. Renaissance and Baroque musical instruments, Renaissance treble flute in g copy Accademia di Verona, Renaissance tenor traversos in d/ 440, 392 and 384 Hz, Early Baroque tenor flute in d from Berlin Musical Instruments Museum, Renaissance flutes alto in g tenor in d bass in G, Renaissance bass flutes in G 440,384 and 392 Hz. The first type, due to its tiny, delicate sound, was used mostly to support a human voice or to play in a small consort with instruments of little volume. The dominant, very loud first octave. The inner bore hole, which was cylindric before, was transformed to a conical one in the middle and lower joint in 18th century. Sweet, delicate sound, very fast articulation. The 1-keyed flute was used through the Baroque and Classical periods. The flute is in D at A=440Hz with a single key. It plays a full chromatic scale of 2½ octaves from D1 to A3. Its two-part construction is very convenient for transporting and for correcting intonation. The Problem of Pitch. The studio of Mr. Tomaszewicz produces four types of renaissance and early baroque flutes with different sound characteristics. Renaissance and Baroque Cornetto/Cornett and Cornettino, https://gtmusicalinstruments.com/wp-content/uploads/K_Zych_Amarilli_Mia_Bella_Guilio_Cacini.mp3. Strong sound throughout the scale, perfect intonation. It is made by the Paris maker Thomas Lot, around 1750, and is one of about half a dozen surviving baroque basses.
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