By George Frideric Handel (1685-1759). Because this George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip. CSS, from “Water Music”, in its original setting for flute and strings, Flute Sheet Music: Amarilli, mia bella (G. Caccini), Flute Sheet Music: Sarabande (J.-C. Naudot), Flute Sheet Music: Study No. Authenticity uncertain. 1". 10 8 Gavotte in G major HWV 491: Flute & Piano: Joy to the World: Flute & Piano: While Shepherds Watched Their Flocks: Flute quartet: ... Flute solo: 16. There are no recordings for this tune yet. These two lovely minuets are part of Suite No. The prominent bass parts also give these sonatas a contrapuntal strength and vitality that is lacking in the work of contemporary violinists such as Geminiani and Veracini, who were more interested in the genre as a vehicle for virtuosity. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends. Indeed, Handel was exceptional at the time in writing bass parts that engage in dialogue with the upper part on equal terms, often using idiomatic keyboard figuration in the process. Three more Flute Sonatas, HWV374–6, were published in volume 48 of the Händel-Gesellschaft from a Walsh anthology of 1730, but HWV375 and 376 are probably spurious, and HWV374 is an unauthorized arrangement of the Oboe Sonata HWV366. [4], Of the eleven flute sonatas formerly attributed to Handel, only one (the flute sonata in E minor (HWV 379)) appears to have been intended for the flute as it exists in that form in Handel's autograph, and even that one is a hasty arrangement of movements from other works.[5]. See here for instructions on how to submit your own recording! The supposition of the date has been proven unfounded, at least for the second sonata, three movements of which are arrangements of music known to have been composed by Handel after 1712. Contact Handel wrote solo sonatas for all these instruments during his long career, though until recently there was a good deal of confusion about their authenticity, dating and scoring; we still know little about why he wrote them or who originally played them. Wednesday 5 April 2017. [2][3], Three sonatas attributed to Handel were published by Walsh in 1730 as part of a collection titled Six Solos, Four for a German Flute and a Bass and two for a Violin with a Thorough Bass. HTML | Contact 0.0/10 2 "Halle sonata No. One publication of these sonatas that has been popular for over fifty years among flutists and flute teachers is G.F. Handel: Seven Sonatas and Famous Largo for Flute and Piano, edited by Robert Cavally (c. 1941). This was partly because amateurs had taken it up in the 1680s, and partly because the oboe remained essentially an orchestral instrument well into the eighteenth century. - The solo flute, supported by the first violins, sings a flexible melody atop a transparent background that, even at its most active, moves no faster than in quarter notes. Baroque. Balfe) Baroque: Flute Sheet Music: Menuet (J.-B. Prominent bass parts give the sonatas a contrapuntal strength and vitality, and Handel keeps the elements of display and purely musical argument in admirable balance in these works. 66 pages. *#293479 - 0.21MB, 4 pp. Handel’s solo sonatas certainly seem to belong to the sphere of the public concert and the virtuoso rather than that of domestic music and the amateur. Tune of the Day: Menuets by Handel. Sheet music for Alla Hornpipe (Allegro maestoso; Allegro deciso) from Water Music by George Frideric Handel, arranged for Flute solo. The only sonata that survives as a flute sonata in Handel's own manuscript. 10 Booklet for Händel: Complete Solo Sonatas HighRes-Studio Master files are lossless at various sample rates from 44.1 kHz up to 384 kHz or 1-bit (2.8224 MHz) … Feduol (2013/8/24), Complete Score (scan) (Preview) - Terms of Use | 4 in G major (N. Mascolo). Arrangement of movements from other works. Title Solos for a German Flute a Hoboy or Violin with a Thorough Bass for the Harpsichord or Bass Violin Name Translations XV Handel solo sonatas; Sonate di Händel per solista; Sonates per a solista de Händel (Chrysander) Authorities Wikipedia: Composer Handel, George Frideric There are no recordings for this tune yet. For this reason, they are among the most attractive Baroque solo sonatas and deserve their lasting popularity. It was normal practice for professional oboists to double on the recorder, and to use it instead of the oboe in chamber music. Flute Sonata in G major Alt ernative. HWV 363b ; Op.1 No.5 I-Catalogue Number I-Cat. The other fruit of the recent research into Handel’s solo sonatas is that we now know much more about their dating. G. Schirmer #ED3164. Flute Sheet Music: I Dreamt that I Dwelt in Marble Halls (M.W. More surprising is the previous neglect of the dashing little G major Sonata HWV358, which survives among Handel’s autographs in the Fitzwilliam Museum. 6 The whole set is in fact a splendid achievement which is strongly recommended to all Handelians’ (Fanfare, USA). No. "Halle sonata No. The oboe and the recorder came first, with a group of French players in the early 1670s, while the transverse flute did not appear until after 1700. Sarabande HWV 350: Flute & Strings: 19. No. • Switch back to classic skin, http://imslp.org/index.php?title=Flute_Sonata_in_A_minor,_HWV_374_(Handel,_George_Frideric)&oldid=2105572, Pages with items from the Hallische Händel-Ausgabe, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Creative Commons Attribution-ShareAlike 4.0 License. *#303422 - 1.15MB, 6 pp. Arranged by Louis Moyse. Most of the autographs specify just ‘cembalo’ for the bass part, and were doubtless often played by the composer in concerts, though there must also have been many performances with cellists looking over the harpsichordist’s shoulder in the traditional manner. Copyright © 2009–2020. The twenty sonatas on this recording show Handel writing for the professional musicians of his London opera orchestra; they demand considerable skill and stamina both from the soloist and the continuo. This in turn suggests that they might have been written for the leading figures in his opera orchestra, such as the violinists Pietro and Prospero Castrucci and the wind players Jean Christian Kytch and John Loeillet, who were also active in London’s public concerts. Handel keeps the elements of display and purely musical argument in admirable balance in these works, just as he freely mixes light-hearted dances with the standard ‘abstract’ movements of the sonata da chiesa. Submit yours! At the time, all concerts featured solo vocal and instrumental items as well as orchestral pieces, and solo sonatas with continuo were the main display vehicles for virtuosos; by and large, solo concertos did not become popular in England until the middle of the century. Copyright © 2009–2020. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Thanks to Doug for suggesting this piece! CSS, from “Water Music”, arranged for flute and piano, Flute Sheet Music: Allemande (J.B. de Boismortier), Flute Sheet Music: La Déloyale (J.B. de Boismortier), Flute Sheet Music: Menuetto I and II (J.S. 0.0/10 8 ALL INSTRUMENTATIONS Piano solo (5086) Guitar (3080) Choral SATB (1965) Concert band (1882) Guitar notes and tablatures (1284) String Quartet: 2 … One publication of these sonatas that has been popular for over fifty years among flutists and flute teachers is G.F. Handel: Seven Sonatas and Famous Largo for Flute and Piano, edited by Robert Cavally (c. 1941). Copyright © 2009–2020. Such is the case with G.F. Handel's solo sonatas, often referred to as his "Opus 1". The site is also available in several languages. 12. What they discovered was astonishing: the ‘Roger’ print was an unauthorized forgery, apparently perpetrated by Walsh around 1726 to circumvent the royal monopoly granted to Handel in 1720 for the publication of his works. While the first of the two minuets was originally scored for a small string ensemble (two violins playing in unison, a viola and continuo), the second minuet also called for a piccolo (or possibly a recorder in G) to play in unison with the violins.
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