In practice, in musical contexts, the chromatic scale is not usually used to its full extent. Example 1 is a good exercise that combines scales and chromatic notes.. Example 1. Most pop music is built from this approach to diatonic harmony, and that works fine. The familiar “Pachelbel” sequence (Example 8) can derive a chromatic sequence in a couple of ways. Diatonic chords are built from notes of the major scale, so with these seven notes, we can build seven chords (C major, D minor, E minor, etc…). The example below is in the B Dorian mode, make sure you use the same principle on other scales and positions. Example 10. Descending (going down): ()Write the beginning and end note of the scale. The sequence outlines the whole-tone scale on every strong beat. The Chromatic Scale consists of twelve notes that each are one semi-step apart (it can be compared with the contrary diatonic scale), and is also called the Half-tone Scale. A chromatic descending 5-6 sequence using inverted chords on every weak beat. Harmonic Chromatic Scale: The Melodic Chromatic Scale:: Key words: melodic chromatic scale naming rules: 1: The Melodic Chromatic Scale . The examples are built around this common C major scale position, but works in all positions of course. The second part of the lesson consists of a few examples of II V I lines using chromatic passing notes, to show how it can be applied. Chromatic scales are not very useful as groundworks for a composition, instead they can be integrated as parts of songs. For this example - the chromatic scale in the key of A, let's assume that we are working with the natural minor scale of the same key - A natural minor scale, and we want to identify some chromatic scale notes outside that key. We give an example below - the harmonic chromatic scale in C. To listen to the harmonic chromatic scale in C press the play button displayed below. An example A chromatic scale. For example, if a particular solo has the D, D# and E notes played in sequence, it is said that this section has chromaticism. As you can see on the picture below, all notes in the octave are included. Let’s first look at how we can add passing notes between all notes in the scale. Chromatic scale application. Write two of each note between the end notes except for C and F. (There is no flat between E/F and B/C, remember!) (C - C, Eb - Eb, etc.) The Exercises. Flatten the 2nd note of each note pair. What is usually used are small sections of chromaticism. There are many ways to practice guitar scales, but this is a particularly good one because the chromatic notes give the scale an instant jazz sound..
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